September 2014

This week marked 15 years since the Sega Dreamcast’s U.S. launch, so we decided to celebrate by returning to the little white box! We play Crazy Taxi, ChuChu Rocket!, SoulCalibur and San Francisco Rush 2049, and chat about The Walking Dead‘s divisive second season, the excitement of Smash Bros. news, Gang BeastsProfessor Layton vs. Phoenix Wright and more.

To watch the show and chat with us live, check out this page every other Thursday at 8 p.m. Eastern and follow us on Twitter for special streams.

tappingo2

Ever since the release of Mario’s Picross on the original Game Boy, Nintendo handheld systems have been fertile ground for quick, level-oriented puzzle games. The original Tappingo, released in the 3DS eShop earlier this year, was a short but fun experience, offering an original take on puzzle design that felt right in line with this legacy. Tappingo 2 follows the original template very closely, with the only new feature being a zoom function for the larger puzzles. I had a good time with the game, but in the end, it leaves that unsatisfying feeling that it just doesn’t do enough to improve on its predecessor.

READ MORE

gu_trajan1

It’s easy to see why Ancient Rome is a fertile inspiration for many game designers. The Romans’ interest in politics, military tactics, art, architecture and religion all offer different elements that can be mixed together into an interesting whole. Stefan Feld’s 2011 title Trajan mixes six aspects of Roman culture, but ties everything together with a mechanic that is decidedly African instead of European. READ MORE

PLvAA1

When Professor Layton vs. Phoenix Wright: Ace Attorney was first announced, the respective fan bases of both franchises were sold almost immediately. The two camps have a significant overlap, and those fans had just been exposed to something they knew they wanted very badly yet had never even imagined could be possible. Even fans of only one half of the mix were intrigued by the possibilities of the two worlds colliding. READ MORE

thefall1

At the outset of Over the Moon Games Studio’s debut offering, The Fall, a figure in an advanced combat suit plummets towards a planet for reasons never explained. Seconds before slamming into a rocky outcropping, the combat suit’s self-defense systems automatically kick in, initiating antimatter shielding that lets the suit blast through the obstacle without harm. The figure then proceeds to carve a fifty-meter hole into the surface before finally coming to rest.

This self-defense system is operated by an artificial intelligence called an armored robotic interface device (ARID), which is also capable of piloting the suit independently should the user within become unresponsive. After a fall like that, “unresponsive” is probably the best-case scenario, but since almost all of the suit’s diagnostics and advanced functions were disabled the AI has no way of knowing anything more than that. Driven by its Asimov-like three parameters — “must not misrepresent reality,” “must be obedient” and “must protect active pilot” — it decides that finding medical attention for its pilot is its primary objective. READ MORE