Reviews

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Kingdom Hearts is a concept that ostensibly shouldn’t work, but does anyway. It’s not perfect by any stretch of the imagination, but the level of care and love that went into crafting it is so apparent that you simply can’t help but succumb to its charms at least a little. That said, the game is starting to show its age over 11 years since its initial release, and now is as good of a time as any to give the title a fresh coat of paint. READ MORE

When you think of traditional platformers, you most likely think of games designed with tight controls and level design created specifically to test your abilities. The game might have a distinct style or pleasant visuals, but those are far from the elements that are focused on the most. Puppeteer, the new game from Sony’s Japan Studio, wants to change that. Focusing less on spectacular gameplay and more on presenting a world full color and imagination, Puppeteer tends to value style over its gameplay hooks, for better or worse.

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Arc System Works, more known for publishing and developing games like Guilty Gear, BlazBlue and Persona 4: Arena, has a knack for releasing fast-paced, unique fighters that seem to cater to an niche crowd. FK Digital-developed Chaos Code is no different. Released in Japanese arcades back in 2011, the game has now been released on North American PS3s. So how does this quiet Taiwanese game stack up against more well-known fighters? READ MORE

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The console version of Diablo III isn’t nearly as pretty as its PC counterpart. It hangs up sometimes when you use some of the more complicated skills. Inventory management is a bit clumsy, and some of controls are weird.

Yet, after a few hours with it, I have no interest in revisiting the PC version ever again. READ MORE

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Before even starting Killer is Dead, the splash screen displays an illustration of protagonist Mondo Zappa shrouded in shadow, holding the sharp side of his sword up to a woman’s neck. Her eyes are rolled back in ecstasy; she finds pleasure in being preyed upon. This image exemplifies the tone of Killer is Dead: it is dark, violent and sexual, more often together than separate. READ MORE